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Everything posted by geert_2

  1. I was referring to the squishing of the filament indeed. I have two older UM2 printers with manual bed-adjustment, and I adjust it closer, so it is squished more. I prefer a nice glossy bottom, even if that causes a little bit of "elephant feet" sometimes. Not only does that stick better, but it makes watermark text in transparent materials (=inside the model, close to the bottom) easier to read. In Cura, I usually set the first layer to 0.2mm. This too helps in giving a flatter bottom than 0.3mm, and gives better bonding. I have no experience with UM3 or newer, so I ca
  2. If that is the underside, I would level the bed closer to the nozzle. It is hard to see from this angle, but I think it is not flat enough to my taste. :-) I prefer the bottoms of my prints to look more like this, or like the above photos.
  3. Belts are replaceble, and the procedure should be somewhere on the Ultimaker-site. If you are a bit handy, you can do it yourself. Your local dealer should be able to provide the belts. Or you can have him/her do it. While you are at it, I would take the time to have a look at the feeder too: is that clean and in good condition? Also clean the metal rods near the belts, and lubricate them with a thin oil that does not dry out. And also clean the nozzle with cold pulls or "atomic pulls". See the official method on the Ultimaker-site, or use my gentle method h
  4. Just randomly printing Lego pieces doesn't seem like a good idea to me, since: (1) they won't fit, as a 3D-printer doesn't have the required accuracy (microns), and so the pieces would be useless; and (2) you will soon run into copyright claims and huge damage claims, as these are protected models. What you could do however, is go to a local school, and say that you have unused printing capacity. And then let the kids design things themself, so they learn how to do it and they get enthousiastic, and then print those models. Also learn them the possibilities and limitati
  5. Most materials should be reasonably airtight if printed *slow*, in *thin layers*, and with good flowrate. So you get good layerbonding, and absolutely no underextrusion (important). A little bit of overextrusion could also help, but might create blobs. Do not use separate support materials (PVA) that dissolve: if they made strings in a print, these will dissolve and become holes. But all models will have tiny "canals" and pores where bacteria can grip and grow. It's just that the water or air won't blow through. For shell thickness, I would use at least 2 lines (=0.8mm
  6. If you look at the bottom, did it lift from the glass? Thus making a dent in the bottom? If yes, it could be caused by dirty, greasy spots on the glass? Clean with isopropyl alcohol, and then a few times with pure hand-warm tap water only. (No soaps.) A thinner bottom layer gives better bonding for me: 0.2mm is much better than 0.3mm. I guess because the material is squeezed more into the glass, and it has less room to escape sideways? Then use a bonding-method for better adhesion. Some people use the glue-stick, some use dilluted wood glue, hairspray, 3D-LA
  7. I haven't printed with nylon yet, so I can't comment on material-specific things. But if you are not happy with the default supports, you could design custom supports in CAD, and switch off support in Cura. In this way you can provide features to make removal easier: holes and gaps where you can insert knifes, hooks, pliers; or tree-like structures to save material and provide additional gaps for access; sideways support for higher models to prevent wobbling; extended supports with extra brim for or tiny features; free-hanging supports to not damage the plate below it; etc...
  8. And no soap: that prevents bonding as well. Clean with whatever means you need, then with isopropyl alcohol, and then a couple of times with pure hand-warm tap water only. Rub and wipe dry with paper tissue, without touching the glass with your hands. Also kinks in the filament which prevent the filament from passing through the feeder, or the filament stuck under other windings on the spool which prevent it from unwinding, can cause underextrusion. I had the last one recently. So, never let the loose end go, never let it hang around, and never let it get un
  9. The best is: make a few test models that have all typical features of your models. And then print them with various settings, to see the difference. Make them small enough so they don't waste endless amounts of time and material, but not too small, so the models still gets enough cooling (=without the hot nozzle sitting constant on top of the same place). Further: print slower and cooler than standard. This will give better corners. How slow and how cool depends on the model and material, and layer-thickness, so you have to try. For PLA, try something like 25...30mm/s and 200°C, an
  10. I kind of like the worn-out look of the first lady. Looks a bit like a corroded ancient statue that is in restoration, after being discovered in an old castle. Maybe you could keep it this way? Just fill and sand the splits, but no painting?
  11. That overhang is very impressive, indeed. And what is the effect of this setting on the "curling up" tendency of steep overhangs? Where the edges bend upwards instead of sagging, causing the nozzle to bang hard into them, and causing vibrations and ugglyness too? And in extreme cases knocking the model off the bed? See these tests.
  12. I was about to suggest this. 🙂 If they are totally separate, with a gap, and support is switched off, I see no reason at all why the base plate would be influenced by the X-character? Weird... 1. Have you tried printing them in one material, with only one nozzle? But with tiny gaps everywhere (even 0.01mm should do)? Just to see how it is sliced? 2. Have you tried putting both models into one STL-file? (Your models above are in separate files.) At 100% infill, on my single-nozzle UM2, the model below is sliced correctly in my older Cura. I quickl
  13. Also, when calculating the STL-triangles in MATLAB, make sure the coordinates of begin- and end-points of shared triangle-vectors are exactly the same, down to the last digit behind the decimal point. If these X-, Y- and Z-coordinates would be rounded off in your calculations, even to 20 digits behind the decimal point, it might create gaps in the STL-file, and then it would no longer be watertight. Let's say you have 3 triangles A, B, and C that share one corner. If this corner is (x, y, z): for triangle A=(10.00001, 20.00001, 30.00001), and for B=(10.00002, 20.00002, 30.00002), a
  14. As far as I know, STL-files have no dimension units (mm, inch, meters,...). But if I remember well from older posts, Cura *assumes* that the dimensions are in mm? Is that correct? If so, maybe you can set that in MATLAB to render or export the model to a size of maybe 20...50mm? And then definitely run it through an STL-analysis and repair, just to be sure.
  15. Yes, that is how I also understood it. That is what I meant by "moving the parts around on the glass": place the lowest model the furthest away from the home-position, and the highest the closest-by. And then hope that Cura is clever enough to print the furthest and lowest parts first, and then the nearby high parts. For low objects (<20mm) this seems to work in my older Cura version for my UM2-printers: at least it starts from the furthest away models. But this does not work for high models (100mm or so): then it prints them all at once. I have no idea about newer Cura versions and printer
  16. My old Cura version can display this model, although it appears extremely small, maybe 1mm^3. So I have to scale it up 20...50x to make it printable. However, this older Cura-version can not slice it: then it hangs up. Maybe there is something wrong with the STL-file? Maybe try saving it with different parameters? Or run it through an STL-analysis and repair program? But I have no experience with these, as I never needed them for myself.
  17. For dimensioning threads, I think you could reuse the guidelines for plastic injection moulding. These threads generally use shallower angles than typical metal threads (M20, etc...), wider teeth, rounded corners, to improve the molten plastic flow, increase strength, and reduce stress-concentrations in corners under load. Indeed very similar to what you have done. If you use a standard thread, you can screw existing caps on it (e.g. recovered from PET bottles). Search for "injection moulding guidlines pdf", or: "part design guidelines for injection moulding pdf", "lanx
  18. This is indeed what I would expect to work, at least if you have 100% infill. If less than 100% infill, say 20%, then I could imagine that the slicer would generate a heavier structure below the letters, to support them. I guess this will have to be answered by the developers, or people with a dual-nozzle machine and a better understanding of the slicing-internals.
  19. If the model is opaque, and the letters are raised, then maybe you could make the whole baseplate in one solid model/color? And only switch to the letters once you are above the baseplate? Thus without digging into the baseplate, rather like icing on top of a cake? If it has to be transparent, or if the letters are recessed into the baseplate, then of course this method would not work. (Note: I don't have dual-nozzle printers, so no experience, and just guessing.)
  20. Can't you move them around on the build plate, and in that way influence the printing order? In older Cura versions you could print multiple models apart, as long as they would not collide with the print head and rods. So you couldn't put very much parts on the bed. I haven't tried this in newer versions. But especially for very small parts, printing model per model separately, instead of all together, might not always be a good idea: then the model does not get enough cooling, since the hot nozzle is constantly on top of it, radiating heat, and adding hot f
  21. Thanks for the photos. It might be fillers in the black that decompose due to the acetone? Or due to UV-light, or age, moisture, or whatever else? Or the fillers that reduce layer bonding, and thus make it more prone to splitting? Also, I think manufacturer should mention in their specs for each filament: "Can be acetone-smoothed" or "Can be whatever-smoothed", and then the recommended product, time, method (brushing, wiping, dipping, vapour, whatever), and amount (thin, thick). I have just smoothed a handle (using your brush-on method), yellow PLA, and now
  22. I have colorFabb glowfill, and indeed, it does not glow for very long. It is very bright for a *very short* time, and then quickly fades. Usefull brightness as a sign is a few minutes, maybe 5 at best. And then it is still barely visible, but unreadable, in pitch black darkness for indeed maybe 20 min. Just a blurred pale green shade. Useless as emergency exit sign, or as night-light in a room. In the old days they had radio-active glow-in-the-dark paints, used on clocks. These did glow *very* bright all night, for +10 years. This was really fascinating, and very usefull. But these
  23. I believe the effect you see is overextrusion, due to the printer slowing down at the corners or ends, but the nozzle pressure is still up and takes some time to dissipate by leaking away. This gets more visible when printing lots of small segments. Printing slower and cooler helps, but does not eliminate the effect. But for me it is no problem. I haven't tried features like "coasting" (if I remember the name correctly, stopping to extrude just before a corner, so that pressure has time to drop). Maybe this might help? But if you overdo it, it might cause gaps at the st
  24. I have tried it this way: - cut off both filament ends at 90°, - heat a knife in a flame, - align both filament ends in a holder (see pic), and push them down with your fingers, - insert the hot knife in-between both ends, and push both ends onto the hot knife (don't push your fingers onto the hot knife), - let these ends melt a little bit, - remove knife, and push both ends together, so they melt into each other, - keep pushing them down, and let them cool and solidify, - using a Dremel tool or similar, cut off the flanges, otherwise it won't go through
  25. Hoi cloakfiend, Have you ever tried *post-curing* an acetoned model? Thus: print, sand, acetone, wipe, dry, as usual, but then let it sit at an elevated temperature for maybe a day, or two days? The temp has to be above glass-transition temp, maybe 60-70°C, but below melting the model of course (may depend on the model what it can withstand). This could reduce residual stresses, so it might be less likely to split later on. And then primer, paint or plate as usual. If it is going to split anyway, it might already split during this process. I am not sure it is going to w
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