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Although this is not an answer to your question, it might also improve the situation: the cause of warping might also be because of the way you clean your glass plate, the bonding method you use (or lack of), the distance between nozzle and bed, and the environmental situation (air moisture, temp).
Since I started using the "salt method" for bonding, I don't have Ultimaker PLA warping anymore. I use their nice "Pearl" color; I don't know about other colors.
The "salt method" = first clean the glass with whatever means you want, e.g. isopropyl alcohol, acetone,... (but no soaps or oils). Then clean with pure warm tap water only. Then wipe the glass plate with a tissue moistened with salt water. Or put a few drops of salt water on the glass and wipe them dry with the tissue. Very gently (!!!) keep wiping until this dries in a thin almost invisible mist of salt stuck to the glass. Especially in moist weather this gives me a much improved bonding when the glass is hot (60°C). When cold, there is no bonding at all, so the models come off by themself after finishing and cooling down. The ease of applying and ease of model removal makes this method attractive for me.
This works very well for low and flat models. My models are usually 12 to 15 cm long and 100% filled. But I don't recommend it for narrow and high models (e.g. lantern poles) or models with huge overhangs, because the salt can not absorb much shocks when the nozzle bangs into edges of a model (overhangs tend to curl up).
An original model (bottom), perfectly flat after printing. And one that sat in a laboratory oven (top) at an elevated temperature of 70°C for a couple of hours, to see how it would react and warp due to its internal molded-in stresses, as a result of the 3D-printing process.
Other people are very successfully using other bonding methods: hairspray, dilluted wood glue, glue stick (some wipe it with water afterwards), 3D-LAC, and other means. Each method may have its advantages and disadvantages.
So it might be worth sorting out the basic cause of the warping and remedy that, instead of trying to find a workaround.
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In this stable release, Cura 5.3 achieves yet another huge leap forward in 3D printing thanks to material interlocking! As well as introducing an expanded recommended print settings menu and lots of print quality improvements. Not to mention, a whole bunch of new printer profiles for non-UltiMaker printers!
The UltiMaker S7 is built on the success of the UltiMaker S5 and its design decisions were heavily based on feedback from customers.
So what’s new?
The obvious change is the S7’s height. It now includes an integrated Air Manager. This filters the exhaust air of every print and also improves build temperature stability. To further enclose the build chamber the S7 only has one magnetically latched door.
The build stack has also been completely redesigned. A PEI-coated flexible steel build plate makes a big difference to productivity. Not only do you not need tools to pop a printed part off. But we also don’t recommend using or adhesion structures for UltiMaker materials (except PC, because...it’s PC). Along with that, 4 pins and 25 magnets make it easy to replace the flex plate perfectly – even with one hand.
The re-engineered print head has an inductive sensor which reduces noise when probing the build plate. This effectively makes it much harder to not achieve a perfect first layer, improving overall print success. We also reversed the front fan direction (fewer plastic hairs, less maintenance), made the print core door magnets stronger, and add a sensor that helps avoid flooding.
The UltiMaker S7 also includes quality of life improvements:
Reliable bed tilt compensation (no more thumbscrews) 2.4 and 5 GHz Wi-Fi A 1080p camera (mounted higher for a better view) Compatibility with 280+ Marketplace materials Compatibility with S5 project files (no reslicing needed) And a whole lot more
Curious to see the S7 in action?
We’re hosting a free tech demo on February 7.
It will be live and you can ask any questions to our CTO, Miguel Calvo.
Register here for the Webinar
Are you a fan of tree support, but dislike the removal process and the amount of filament it uses? Then we would like to invite you to try this special release of UltiMaker Cura. Brought to you by our special community contributor @thomasrahm
We generated a special version of Cura 5.2 called 5.3.0 Alpha + Xmas. The only changes we introduced compared to UltiMaker Cura 5.2.1 are those which are needed for the new supports. So keep in mind, this is not a sneak peek for Cura 5.3 (there are some really cool new features coming up) but a spotlight release highlighting this new version of tree supports.
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geert_2 556
Although this is not an answer to your question, it might also improve the situation: the cause of warping might also be because of the way you clean your glass plate, the bonding method you use (or lack of), the distance between nozzle and bed, and the environmental situation (air moisture, temp).
Since I started using the "salt method" for bonding, I don't have Ultimaker PLA warping anymore. I use their nice "Pearl" color; I don't know about other colors.
The "salt method" = first clean the glass with whatever means you want, e.g. isopropyl alcohol, acetone,... (but no soaps or oils). Then clean with pure warm tap water only. Then wipe the glass plate with a tissue moistened with salt water. Or put a few drops of salt water on the glass and wipe them dry with the tissue. Very gently (!!!) keep wiping until this dries in a thin almost invisible mist of salt stuck to the glass. Especially in moist weather this gives me a much improved bonding when the glass is hot (60°C). When cold, there is no bonding at all, so the models come off by themself after finishing and cooling down. The ease of applying and ease of model removal makes this method attractive for me.
This works very well for low and flat models. My models are usually 12 to 15 cm long and 100% filled. But I don't recommend it for narrow and high models (e.g. lantern poles) or models with huge overhangs, because the salt can not absorb much shocks when the nozzle bangs into edges of a model (overhangs tend to curl up).
An original model (bottom), perfectly flat after printing. And one that sat in a laboratory oven (top) at an elevated temperature of 70°C for a couple of hours, to see how it would react and warp due to its internal molded-in stresses, as a result of the 3D-printing process.
Other people are very successfully using other bonding methods: hairspray, dilluted wood glue, glue stick (some wipe it with water afterwards), 3D-LAC, and other means. Each method may have its advantages and disadvantages.
So it might be worth sorting out the basic cause of the warping and remedy that, instead of trying to find a workaround.
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