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Hi @shadowfiend , I think it's ok if you would post the link here. Perhaps it would be more informing if you shared some video's separately instead of the full channel (everyone can find that following the video's). And per video perhaps you could give some context. It would also be easier if someone has a question about a video that they can refer to it specifically and Q&A's can stay together.
These are the videos from my YouTube channel. The second video is of the casting process for the Easter Island head as proof of concept, where 3D prints can be used as patterns for sand casting. The videos concentrate more on the metal casting process and less on the 3D printing aspect. The overall purpose being that the 3D prints are the patterns.
I currently do not have many photographs as I have only just started this process. More will be coming in the very near future and I will be shooting the third video today. A brass hook is on its way!
I look forward to any and all feedback. I would like to know what others have experienced if/when they have tried getting their prints cast at a traditional foundry.
Introduction video that explains my business and shows some of the processes of casting.
The second video shows some of the steps involved in casting the Easter Island head. Unfortunately I had a problem with my DSLR camera and lost a few minutes of footage.
This image shows the top of the casting flask (cope) for a Nema 17 heat sink mould. This was my first brass casting and it failed :c( I will be casting this again soon, with lots of media :c) You can see the two holes are the 'spure' and 'riser' for the metal to flow in and out of the mould. The radial lines are vents to allow gasses to escape during casting.
Many thanks.
Ian.
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In this stable release, Cura 5.3 achieves yet another huge leap forward in 3D printing thanks to material interlocking! As well as introducing an expanded recommended print settings menu and lots of print quality improvements. Not to mention, a whole bunch of new printer profiles for non-UltiMaker printers!
The UltiMaker S7 is built on the success of the UltiMaker S5 and its design decisions were heavily based on feedback from customers.
So what’s new?
The obvious change is the S7’s height. It now includes an integrated Air Manager. This filters the exhaust air of every print and also improves build temperature stability. To further enclose the build chamber the S7 only has one magnetically latched door.
The build stack has also been completely redesigned. A PEI-coated flexible steel build plate makes a big difference to productivity. Not only do you not need tools to pop a printed part off. But we also don’t recommend using or adhesion structures for UltiMaker materials (except PC, because...it’s PC). Along with that, 4 pins and 25 magnets make it easy to replace the flex plate perfectly – even with one hand.
The re-engineered print head has an inductive sensor which reduces noise when probing the build plate. This effectively makes it much harder to not achieve a perfect first layer, improving overall print success. We also reversed the front fan direction (fewer plastic hairs, less maintenance), made the print core door magnets stronger, and add a sensor that helps avoid flooding.
The UltiMaker S7 also includes quality of life improvements:
Reliable bed tilt compensation (no more thumbscrews) 2.4 and 5 GHz Wi-Fi A 1080p camera (mounted higher for a better view) Compatibility with 280+ Marketplace materials Compatibility with S5 project files (no reslicing needed) And a whole lot more
Curious to see the S7 in action?
We’re hosting a free tech demo on February 7.
It will be live and you can ask any questions to our CTO, Miguel Calvo.
Register here for the Webinar
Are you a fan of tree support, but dislike the removal process and the amount of filament it uses? Then we would like to invite you to try this special release of UltiMaker Cura. Brought to you by our special community contributor @thomasrahm
We generated a special version of Cura 5.2 called 5.3.0 Alpha + Xmas. The only changes we introduced compared to UltiMaker Cura 5.2.1 are those which are needed for the new supports. So keep in mind, this is not a sneak peek for Cura 5.3 (there are some really cool new features coming up) but a spotlight release highlighting this new version of tree supports.
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SandervG 1,518
Hi @shadowfiend , I think it's ok if you would post the link here. Perhaps it would be more informing if you shared some video's separately instead of the full channel (everyone can find that following the video's). And per video perhaps you could give some context. It would also be easier if someone has a question about a video that they can refer to it specifically and Q&A's can stay together.
Thank you for sharing with us!
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shadowfiend 9
These are the videos from my YouTube channel. The second video is of the casting process for the Easter Island head as proof of concept, where 3D prints can be used as patterns for sand casting. The videos concentrate more on the metal casting process and less on the 3D printing aspect. The overall purpose being that the 3D prints are the patterns.
I currently do not have many photographs as I have only just started this process. More will be coming in the very near future and I will be shooting the third video today. A brass hook is on its way!
I look forward to any and all feedback. I would like to know what others have experienced if/when they have tried getting their prints cast at a traditional foundry.
Introduction video that explains my business and shows some of the processes of casting.
The second video shows some of the steps involved in casting the Easter Island head. Unfortunately I had a problem with my DSLR camera and lost a few minutes of footage.
This image shows the top of the casting flask (cope) for a Nema 17 heat sink mould. This was my first brass casting and it failed :c( I will be casting this again soon, with lots of media :c) You can see the two holes are the 'spure' and 'riser' for the metal to flow in and out of the mould. The radial lines are vents to allow gasses to escape during casting.
Many thanks.
Ian.
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