Yes, I know all that.
Now, how do I make what I want to achieve, if at all possible?
I don't want to print 4 top layers just to have 1 real complete layer under the logo and waste time doing 4 layers on the rest of the plaque.
Yes, I know all that.
Now, how do I make what I want to achieve, if at all possible?
I don't want to print 4 top layers just to have 1 real complete layer under the logo and waste time doing 4 layers on the rest of the plaque.
Hi @Deses,
We would normally select the highest height Z resolution as possible, with your printer 0.12 mm, then your model will be 38 layer height. This will give 5 layers for the symbol and the letters to be extruded.
You'll need to lower the speed to default top layer speed 25 mm/s (or maybe less!).
To make a smooth surface (top), select "Enable Ironing" under "Top/Bottom" in Cura, but remember to deselect the "Iron Only Higher Layer" box setting. This way both the plaque surface and the text plus symbol are ironed.
In order to save filament and time, we're using to sink the model into the bed in order to print only the interesting layers.
Just use a negative value for Z height.
But a smaller model with same text symbol type go much faster for sure.
Just some small tip.
Good Luck
Torgeir
Hi @Torgeir. Funny enough my print quality looks better without ironing than with it enabled, as it's only ironing around the logos and letters, ironing in an uneven (non-monotonic??) order and making odd shades depending on how the light shines.
To aid in what I want to achieve, I separated the logo and letters and the plaque to different models and then put it together in CURA.
That results in what I want to do, but it's rather cumbersome to do.
Hi @Deses,
Ok, there are lots of way to do this for sure.
Using "Ironing" may need some fine tuning, I've learned in here - this are the balancing between speed and flow and both have to be with quite a lo settings. Only way to solve this are try to fine tune the setting for your printer, maybe someone have a profile for your printer printing nice using Ironing?
Hmm., maybe @GregValiant have some good advice with this?
Yes but we are fixating on the ironing, when what I want to do is have 3 complete top layers (18-19-20) on the plaque ignoring the 3 top layers where the letters are (21-22-23). Please let's ignore ironing for now.
Edited by DesesAha., Ok. Just to come to think about the setting "Horizontal Expansion", can be found under "Walls".
Press "search" and use "Horizontal Expansion" then select "Walls", default value here are "0".
By adjusting this value slightly under "0", -say -0.1 and see if the text become better (not leaving openings).
This is a way to adjust the width of the letters that might help..
Note: Using Cura 5.71
Edited by TorgeirSorry, what?
I don't need horizontal expansion here, on the contrary, enabling it makes some tildes not print at all. I usually print everything with -0.1 and removed it specifically for this job as it was not printing some small tildes.
I don't understand why are we fixating on unrelated stuff when I just want more complete top layers. Am I not explaining myself clearly enough?
Edited by DesesSorry man.
Actually, the first thing I noticed on your model was the undercut of the "logo" started inside the infill.
In layer 20 you'll also see the "shadow" of the logo with the text.
There are just one layer to cover the outer surface. Then my question, do you have the original cad drawing of this object?
I'll think this shadow layer disturb Cura/printer in some way visible in the print?
As have not printed this plaque, I've no idea of how it looks like.
I'll have a look at the gcode file in S3D.
Just looked at the plaque in S3D and sure the problem are the shadowing visible in layer 20.
If you change the the color scheme from "line" to "layer thickness" it's more easy to see this shadowing in the gcode file, using Cura.
So then I'll see that your solution make sense as there in no under laying "disturbing" layer present..
Edited by Torgeir
Just sliced the plaque with Cura 14.3.1, the last stable old version of Cura that's look ok.
Sure I'll know that different object are sliced different over all the different slicers, but this one is some strange.
Maybe someone else fill in here.
Torgeir.
11 hours ago, Deses said:I don't want to print 4 top layers just to have 1 real complete layer under the logo and waste time doing 4 layers on the rest of the plaque.
Really bad idea.
Still, if you insist... just don't say I didn't warn you.
I asked somewhere else and they gave me the answer I wanted straight away.
I just needed to play around with Skin Expand Distance.
It was that simple, guys.
Edited by Deses2 hours ago, Deses said:I just needed to play around with Skin Expand Distance.
It was that simple, guys.
It is that simple when you change the rules 😠
22 hours ago, Deses said:I don't want to print 4 top layers just to have 1 real complete layer under the logo and waste time doing 4 layers on the rest of the plaque.
So you reduced the top layers to 3. That's not having 1 complete layer and not "wasting time" with more layers for the rest of the plaque. I could have told you to play with the skin expansion in 30 seconds if you'd said "I want all the layers below the plaque to be full without a cutout for the logo".
Also: at 0.2mm layer height, 4 top and bottom layers. Trust me on this. Especially if you're going to stick with grid for your infill pattern. With how you've lowered the density the lines are now more than 5mm apart. The first skin layer is going to have to bridge many gaps that big and if you're only printing it at 30mm/s, you're relying on filament to stay in place without sagging for 0.2 seconds. Might not sound like much but how many things do you know of that completely set in 0.2 seconds? (Speaking of which: fan should be at 100%). If you insist on printing with this low an infill density, use gyroid infill. It nearly halves the distance between lines compared to grid.
But if you're giving these things out as prizes, you want them to be top notch.
Slow print > bad print.
More filament used > weak print.
Sorry, I did not change the rules, I think you either misunderstood me or I wasn't clear enough.
Regardless, we are done here. Thank you for your time. :)
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Slashee_the_Cow 493
Top layer settings aren't just the very top of the print - it's any part of the print exposed to air above it.
So you have 4 top layers set - here's layer 23 at the top. I'm assuming we're focusing on the circle bit:
Four layers going up to layer 23 starts at 20 (remember folks, we're counting inclusively here), so here's 20:
Most of the plaque finishes at layer 20, so it starts at layer 17:
The main part of the plaque becomes exposed to air above layer 20, so the last four layers (17-20) are printed as top layers. But the circle doesn't get exposed to air until you go above layer 23, so its last four layers are 20-23. So they only share one layer which gets completely filled in (20).
And if you're wondering about the text and picture not being cut out of 17-19, they're only a couple of lines wide so they're not big enough to be part of the enclosed area (something has to be big enough to have infill to count).
It's not going to be noticeable in the final print, nor does it affect the strength (unless you're deliberately trying to break it).
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